01 / 2025
American Community School, Abu Dhabi
Lebanese artist · Abu Dhabi
Contemporary figurative work shaped by memory, identity, power, and the shifting faces of public life.
Master’s degreesFine Arts · Innovation in Art & Science

01
Group presentations in Lebanon, Russia, Japan, the United Arab Emirates, and across international digital platforms.
2023
Group Exhibition
Dubai · United Arab Emirates
2021
Group Exhibition
Yokohama · Japan
2020
Group Exhibition
Saint Petersburg · Russia
2019
Group Exhibition
Matn, Mount Lebanon · Lebanon
In collaboration with Arneli Art Gallery
2017
Group Exhibition
Lebanon
2017
Group Exhibition
Forn El Chebbak · Lebanon
2015
Group Exhibition
Fanar · Lebanon
2014
Group Exhibition
Forn El Chebbak · Lebanon
Ongoing
Group Exhibition
Multiple digital platforms · International
2025
02
Public learning experiences connecting art history, ceramics, painting, sketching, and multimedia.
01 / 2025
American Community School, Abu Dhabi
02 / 2025
American Community School, Abu Dhabi
03 / 2025
Masary Program · Winter
04 / 2025
Masary Program · Summer
05 / 2024
American Community School, Abu Dhabi
06 / 2023
Abrahamic Family House, Abu Dhabi
03
Fifteen works drawn from the artist’s studio archive. Descriptions preserve the artist’s original Instagram wording.

01 / 2026
A New Face for Every Truth The face changes, but certainty remains. Within one body, several versions of reality coexist. Each layer speaks from a different position, each eye witnesses another event, and each mouth reshapes the past to fit the present. Truth is no longer discovered; it is arranged. The political analyst becomes a mirror of power, reflecting whichever image is most useful at the time. As opinions replace one another, identity dissolves into performance. The work asks a quiet question: when every truth requires a new face, which face is real?
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02 / 2026
The Political Analyst. With every new event, a different eye opens, another mouth speaks, and yesterday’s certainty quietly disappears beneath today’s argument. Opinions overlap, contradict and replace one another, while each new position is presented as if it had always been the truth. These distorted portraits reflect the instability of public commentary—the ability to defend one idea today and its opposite tomorrow. Behind the confident voice, many faces compete for attention, shaped by pressure, interest, ideology and the direction of the moment. The work does not portray one individual. It portrays a public character who survives by continuously changing his face.
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03 / 2026
The Argument Changes A face divided by its own certainty. Each eye follows a different truth, while every mouth rehearses an explanation for the present moment. Yesterday’s conviction is slowly buried beneath today’s necessity, and contradiction becomes invisible when spoken with enough confidence. The political analyst does not merely interpret events; he reconstructs himself through them. Memory becomes selective, truth becomes flexible, and identity shifts according to the direction of power. What remains constant is not the opinion, but the performance of being certain.
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06 / 2025
The Toxic Plantation I planted hope in poisoned soil. Watched it grow into silence, roots drinking what I never chose, leaves heavy with inherited damage. This face is the harvest— not what I am, but what I survived. Some gardens teach you how to endure.
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07 / 2025
Echoes of the Unformed Self. A visual dialogue between memory, emotion, and identity. This piece unravels the human psyche through layered abstraction—faces emerge, dissolve, and re-emerge, revealing how our inner world is constantly shifting. The work captures the raw beauty of being in flux—unfinished, complex, and unapologetically alive.
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08 / 2025
The Toxic Plantation 101 I planted hope in poisoned soil. Watched it grow into silence, roots drinking what I never chose, leaves heavy with inherited damage. This face is the harvest— not what I am, but what I survived. Some gardens teach you how to endure.
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09 / 2025
The chair, my life—a fleeting position, shifting with power, loss, and purpose. Rising, falling, transforming. I sit, I stand, I change. Life flows through the chairs I hold and the ones I leave behind, shaping and unshaping me.
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10 / 2023
The death of an artist in a decorative world
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11 / 2023
now you're gone, and I'm alone, With memories that are etched in stone. So let me hold, the memories close, And cherish them, like a precious rose. For in my heart, you still reside, A love that once bloomed, and now has died.
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12 / 2023
let the old portrait fall apart, Embrace the power of a shattered heart. For it is in the brokenness we find, The light that guides us to be redefined.
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13 / 2022
Ma Sœur et Moi. let not the world outside dictate, What you must be or imitate. Embrace the goat inside of you, And let it guide you to something new. For in the end, it is your own goat, That will bring you joy and hope. And like a sister, or a friend, It will stay with you until the end. Mixed media on canvas, 120*90 cm,
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04
Michel Albert Doumit is a Lebanese visual artist based in Abu Dhabi. Across painting and mixed media, his work uses fragmented faces, symbolic forms, and layered viewpoints to examine survival, memory, contradiction, and the performance of certainty.
Master’s degreesA dual academic foundation in art and innovation
Education
MA Fine Arts, Lebanese University
MA Innovation in Art & Science, ITMO University
Practice
Painting · Mixed media · Figurative abstraction
Based in Abu Dhabi, United Arab Emirates